Is Creativity Sexy? The Evolutionary Advantages of Artistic Thinking
Human evolution is puzzling. Around 45,000 years ago, for no obvious reason, our species took off. Our technology rapidly progressed, populations thrived and we started painting and crafting instruments. All of this and more culminated in our first civilizations. From there, we started growing food, building cities, reading and writing. Today, our species is the most dominant on the planet.
What’s odd is that natural selection doesn’t explain this cultural explosion. Our genetic makeup is identical to our ancestors who lived 100,000 years ago. As Matt Ridley explains, “all the ingredients of human success—tool making, big brains, culture, fire, even language—seem to have been in place half a million years before and nothing happened.” What gives?
The answer might have to do with the relationship between creativity and sex. Consider a study (pdf) conducted by evolutionary psychologist Douglas Kenrick, Bob Cialdini and Vlad Griskevicious. In one clever experiment the psychologists asked college students to write a short story about an ambiguous picture. Before the students tested their prose, Kenrick and his partners divided them into two groups. One half was put in a mating mindset by looking at six photos of attractive females, picking which one they most desired as a romantic partner and imaging an ideal date with her. The other half, the control condition, saw photos of a street and wrote about the most pleasant weather conditions for walking around and looking at the buildings.
Kenrick and his team found that students in the mating mindset were more creative with their stories of the ambiguous pictures than the control group. Did the reproductive motivations trigger their creativity? Because the effect only showed itself for the men, the researchers concluded that, “these studies establish that temporary activation of a mating motive can have the same effect on humans as the mating season has on peafowl; in both cases, mating opportunities inspire males to strut their stuff.”
Kenrick was also interested in the relationship between creativity, non-conformity and sexual selection. He wondered if sexual motivations cause males to stand out from the crowd artistically. To find out Kenrick teamed with Chad Mortensen and Noah Goldstein and asked subjects to judge how interesting they found an artistic image. However, before the subjects gave their two cents they listened to the judgments of several other members of the group who tended to agree with each other. Did the subjects conform to the group?
It depended on gender and motivational state. Kenrick and his team created two groups. One was primed with a fearful mindset by recalling tragic murder stories. Subjects in the other group imagined themselves spending a romantic day with the person of their dreams. The different motivational states mattered. Those in the mating mindset tended to go against the group opinion compared to their more fearful peers. Women did not show the same effect suggesting that when it comes to artistic taste, men are motivated to show off by strutting their creativity. (pdf of study)
This helps explains why muses are predominantly women who inspired men. Consider, as Kenrick did, examples throughout history:
Pablo Picasso [is] the most prolific artist in history with an astounding 147,800 works of art… a closer look at Picasso’s generative periods reveals an intriguing constant: Each new epoch blossoms with paintings of a new woman—not a sitter or a model, but a mistress—each of whom is touted to have served Picasso as an incandescent, albeit temporary, muse. Picasso’s artistic history, however, is not unique: Creative juggernauts such as Salvador Dalí, Friedrich Nietzsche, and Dante were also acutely inspired by their own muses. The enigmatic notion of a muse is rooted in Greek mythology, in which nine godly muses traversed the land, stirring the creative spirits of mortal artists and scientists. And according to historian Francine Prose (2002), all muses share one striking and inextricable feature: Muses—both in history and in mythology—are universally female. Yet if “there is no biological reason why a man can’t provide the elements of inspiration” (p. 9, Prose, 2002), how could it be that the elixir of inspiration seems to be primarily concocted by women and predominantly imbibed by men?
Human evolution is puzzling. Around 45,000 years ago, for no obvious reason, our species took off. Our technology rapidly progressed, populations thrived and we started painting and crafting instruments. All of this and more culminated in our first civilizations. From there, we started growing food, building cities, reading and writing. Today, our species is the most dominant on the planet.
What’s odd is that natural selection doesn’t explain this cultural explosion. Our genetic makeup is identical to our ancestors who lived 100,000 years ago. As Matt Ridley explains, “all the ingredients of human success—tool making, big brains, culture, fire, even language—seem to have been in place half a million years before and nothing happened.” What gives?
The answer might have to do with the relationship between creativity and sex. Consider a study (pdf) conducted by evolutionary psychologist Douglas Kenrick, Bob Cialdini and Vlad Griskevicious. In one clever experiment the psychologists asked college students to write a short story about an ambiguous picture. Before the students tested their prose, Kenrick and his partners divided them into two groups. One half was put in a mating mindset by looking at six photos of attractive females, picking which one they most desired as a romantic partner and imaging an ideal date with her. The other half, the control condition, saw photos of a street and wrote about the most pleasant weather conditions for walking around and looking at the buildings.
Kenrick and his team found that students in the mating mindset were more creative with their stories of the ambiguous pictures than the control group. Did the reproductive motivations trigger their creativity? Because the effect only showed itself for the men, the researchers concluded that, “these studies establish that temporary activation of a mating motive can have the same effect on humans as the mating season has on peafowl; in both cases, mating opportunities inspire males to strut their stuff.”
Kenrick was also interested in the relationship between creativity, non-conformity and sexual selection. He wondered if sexual motivations cause males to stand out from the crowd artistically. To find out Kenrick teamed with Chad Mortensen and Noah Goldstein and asked subjects to judge how interesting they found an artistic image. However, before the subjects gave their two cents they listened to the judgments of several other members of the group who tended to agree with each other. Did the subjects conform to the group?
It depended on gender and motivational state. Kenrick and his team created two groups. One was primed with a fearful mindset by recalling tragic murder stories. Subjects in the other group imagined themselves spending a romantic day with the person of their dreams. The different motivational states mattered. Those in the mating mindset tended to go against the group opinion compared to their more fearful peers. Women did not show the same effect suggesting that when it comes to artistic taste, men are motivated to show off by strutting their creativity. (pdf of study)
This helps explains why muses are predominantly women who inspired men. Consider, as Kenrick did, examples throughout history:
Pablo Picasso [is] the most prolific artist in history with an astounding 147,800 works of art… a closer look at Picasso’s generative periods reveals an intriguing constant: Each new epoch blossoms with paintings of a new woman—not a sitter or a model, but a mistress—each of whom is touted to have served Picasso as an incandescent, albeit temporary, muse. Picasso’s artistic history, however, is not unique: Creative juggernauts such as Salvador Dalí, Friedrich Nietzsche, and Dante were also acutely inspired by their own muses. The enigmatic notion of a muse is rooted in Greek mythology, in which nine godly muses traversed the land, stirring the creative spirits of mortal artists and scientists. And according to historian Francine Prose (2002), all muses share one striking and inextricable feature: Muses—both in history and in mythology—are universally female. Yet if “there is no biological reason why a man can’t provide the elements of inspiration” (p. 9, Prose, 2002), how could it be that the elixir of inspiration seems to be primarily concocted by women and predominantly imbibed by men?
Human evolution is puzzling. Around 45,000 years ago, for no obvious reason, our species took off. Our technology rapidly progressed, populations thrived and we started painting and crafting instruments. All of this and more culminated in our first civilizations. From there, we started growing food, building cities, reading and writing. Today, our species is the most dominant on the planet.
What’s odd is that natural selection doesn’t explain this cultural explosion. Our genetic makeup is identical to our ancestors who lived 100,000 years ago. As Matt Ridley explains, “all the ingredients of human success—tool making, big brains, culture, fire, even language—seem to have been in place half a million years before and nothing happened.” What gives?
The answer might have to do with the relationship between creativity and sex. Consider a study (pdf) conducted by evolutionary psychologist Douglas Kenrick, Bob Cialdini and Vlad Griskevicious. In one clever experiment the psychologists asked college students to write a short story about an ambiguous picture. Before the students tested their prose, Kenrick and his partners divided them into two groups. One half was put in a mating mindset by looking at six photos of attractive females, picking which one they most desired as a romantic partner and imaging an ideal date with her. The other half, the control condition, saw photos of a street and wrote about the most pleasant weather conditions for walking around and looking at the buildings.
Kenrick and his team found that students in the mating mindset were more creative with their stories of the ambiguous pictures than the control group. Did the reproductive motivations trigger their creativity? Because the effect only showed itself for the men, the researchers concluded that, “these studies establish that temporary activation of a mating motive can have the same effect on humans as the mating season has on peafowl; in both cases, mating opportunities inspire males to strut their stuff.”
Kenrick was also interested in the relationship between creativity, non-conformity and sexual selection. He wondered if sexual motivations cause males to stand out from the crowd artistically. To find out Kenrick teamed with Chad Mortensen and Noah Goldstein and asked subjects to judge how interesting they found an artistic image. However, before the subjects gave their two cents they listened to the judgments of several other members of the group who tended to agree with each other. Did the subjects conform to the group?
It depended on gender and motivational state. Kenrick and his team created two groups. One was primed with a fearful mindset by recalling tragic murder stories. Subjects in the other group imagined themselves spending a romantic day with the person of their dreams. The different motivational states mattered. Those in the mating mindset tended to go against the group opinion compared to their more fearful peers. Women did not show the same effect suggesting that when it comes to artistic taste, men are motivated to show off by strutting their creativity. (pdf of study)
This helps explains why muses are predominantly women who inspired men. Consider, as Kenrick did, examples throughout history:
Pablo Picasso [is] the most prolific artist in history with an astounding 147,800 works of art… a closer look at Picasso’s generative periods reveals an intriguing constant: Each new epoch blossoms with paintings of a new woman—not a sitter or a model, but a mistress—each of whom is touted to have served Picasso as an incandescent, albeit temporary, muse. Picasso’s artistic history, however, is not unique: Creative juggernauts such as Salvador Dalí, Friedrich Nietzsche, and Dante were also acutely inspired by their own muses. The enigmatic notion of a muse is rooted in Greek mythology, in which nine godly muses traversed the land, stirring the creative spirits of mortal artists and scientists. And according to historian Francine Prose (2002), all muses share one striking and inextricable feature: Muses—both in history and in mythology—are universally female. Yet if “there is no biological reason why a man can’t provide the elements of inspiration” (p. 9, Prose, 2002), how could it be that the elixir of inspiration seems to be primarily concocted by women and predominantly imbibed by men?It appears that the answer has to do with sexual selection. Does this explain how our species went from hunting and gathering to mass-producing iPhones and airplanes? There are many pieces to that puzzle. The relationship between sex and creativity might be one of them. https://bigthink.com/insights-of-genius/is-creativity-sexy-the-evolutionary-advantages-of-artistic-thinking
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Is Corona Company S Days Sales In Inventory Ratio For 2011 Assuming Net Sales An
/in Uncategorized /by developerWhat is Corona Company’s days’ sales in inventory ratio for 2011 assuming net sales and gross profit for the period were $1,236,783, $927,587 respectively?
What is Corona Company’s days’ sales in inventory ratio for 2011 assuming net sales and gross profit for the period were $1,236,783, $927,587 respectively?Net salesGross profitCost of sales…
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Is Creativity Sexy
/in Uncategorized /by developerIs Creativity Sexy? The Evolutionary Advantages of Artistic Thinking
Human evolution is puzzling. Around 45,000 years ago, for no obvious reason, our species took off. Our technology rapidly progressed, populations thrived and we started painting and crafting instruments. All of this and more culminated in our first civilizations. From there, we started growing food, building cities, reading and writing. Today, our species is the most dominant on the planet.
What’s odd is that natural selection doesn’t explain this cultural explosion. Our genetic makeup is identical to our ancestors who lived 100,000 years ago. As Matt Ridley explains, “all the ingredients of human success—tool making, big brains, culture, fire, even language—seem to have been in place half a million years before and nothing happened.” What gives?
The answer might have to do with the relationship between creativity and sex. Consider a study (pdf) conducted by evolutionary psychologist Douglas Kenrick, Bob Cialdini and Vlad Griskevicious. In one clever experiment the psychologists asked college students to write a short story about an ambiguous picture. Before the students tested their prose, Kenrick and his partners divided them into two groups. One half was put in a mating mindset by looking at six photos of attractive females, picking which one they most desired as a romantic partner and imaging an ideal date with her. The other half, the control condition, saw photos of a street and wrote about the most pleasant weather conditions for walking around and looking at the buildings.
Kenrick and his team found that students in the mating mindset were more creative with their stories of the ambiguous pictures than the control group. Did the reproductive motivations trigger their creativity? Because the effect only showed itself for the men, the researchers concluded that, “these studies establish that temporary activation of a mating motive can have the same effect on humans as the mating season has on peafowl; in both cases, mating opportunities inspire males to strut their stuff.”
Kenrick was also interested in the relationship between creativity, non-conformity and sexual selection. He wondered if sexual motivations cause males to stand out from the crowd artistically. To find out Kenrick teamed with Chad Mortensen and Noah Goldstein and asked subjects to judge how interesting they found an artistic image. However, before the subjects gave their two cents they listened to the judgments of several other members of the group who tended to agree with each other. Did the subjects conform to the group?
It depended on gender and motivational state. Kenrick and his team created two groups. One was primed with a fearful mindset by recalling tragic murder stories. Subjects in the other group imagined themselves spending a romantic day with the person of their dreams. The different motivational states mattered. Those in the mating mindset tended to go against the group opinion compared to their more fearful peers. Women did not show the same effect suggesting that when it comes to artistic taste, men are motivated to show off by strutting their creativity. (pdf of study)
This helps explains why muses are predominantly women who inspired men. Consider, as Kenrick did, examples throughout history:
Pablo Picasso [is] the most prolific artist in history with an astounding 147,800 works of art… a closer look at Picasso’s generative periods reveals an intriguing constant: Each new epoch blossoms with paintings of a new woman—not a sitter or a model, but a mistress—each of whom is touted to have served Picasso as an incandescent, albeit temporary, muse. Picasso’s artistic history, however, is not unique: Creative juggernauts such as Salvador Dalí, Friedrich Nietzsche, and Dante were also acutely inspired by their own muses. The enigmatic notion of a muse is rooted in Greek mythology, in which nine godly muses traversed the land, stirring the creative spirits of mortal artists and scientists. And according to historian Francine Prose (2002), all muses share one striking and inextricable feature: Muses—both in history and in mythology—are universally female. Yet if “there is no biological reason why a man can’t provide the elements of inspiration” (p. 9, Prose, 2002), how could it be that the elixir of inspiration seems to be primarily concocted by women and predominantly imbibed by men?
Human evolution is puzzling. Around 45,000 years ago, for no obvious reason, our species took off. Our technology rapidly progressed, populations thrived and we started painting and crafting instruments. All of this and more culminated in our first civilizations. From there, we started growing food, building cities, reading and writing. Today, our species is the most dominant on the planet.
What’s odd is that natural selection doesn’t explain this cultural explosion. Our genetic makeup is identical to our ancestors who lived 100,000 years ago. As Matt Ridley explains, “all the ingredients of human success—tool making, big brains, culture, fire, even language—seem to have been in place half a million years before and nothing happened.” What gives?
The answer might have to do with the relationship between creativity and sex. Consider a study (pdf) conducted by evolutionary psychologist Douglas Kenrick, Bob Cialdini and Vlad Griskevicious. In one clever experiment the psychologists asked college students to write a short story about an ambiguous picture. Before the students tested their prose, Kenrick and his partners divided them into two groups. One half was put in a mating mindset by looking at six photos of attractive females, picking which one they most desired as a romantic partner and imaging an ideal date with her. The other half, the control condition, saw photos of a street and wrote about the most pleasant weather conditions for walking around and looking at the buildings.
Kenrick and his team found that students in the mating mindset were more creative with their stories of the ambiguous pictures than the control group. Did the reproductive motivations trigger their creativity? Because the effect only showed itself for the men, the researchers concluded that, “these studies establish that temporary activation of a mating motive can have the same effect on humans as the mating season has on peafowl; in both cases, mating opportunities inspire males to strut their stuff.”
Kenrick was also interested in the relationship between creativity, non-conformity and sexual selection. He wondered if sexual motivations cause males to stand out from the crowd artistically. To find out Kenrick teamed with Chad Mortensen and Noah Goldstein and asked subjects to judge how interesting they found an artistic image. However, before the subjects gave their two cents they listened to the judgments of several other members of the group who tended to agree with each other. Did the subjects conform to the group?
It depended on gender and motivational state. Kenrick and his team created two groups. One was primed with a fearful mindset by recalling tragic murder stories. Subjects in the other group imagined themselves spending a romantic day with the person of their dreams. The different motivational states mattered. Those in the mating mindset tended to go against the group opinion compared to their more fearful peers. Women did not show the same effect suggesting that when it comes to artistic taste, men are motivated to show off by strutting their creativity. (pdf of study)
This helps explains why muses are predominantly women who inspired men. Consider, as Kenrick did, examples throughout history:
Pablo Picasso [is] the most prolific artist in history with an astounding 147,800 works of art… a closer look at Picasso’s generative periods reveals an intriguing constant: Each new epoch blossoms with paintings of a new woman—not a sitter or a model, but a mistress—each of whom is touted to have served Picasso as an incandescent, albeit temporary, muse. Picasso’s artistic history, however, is not unique: Creative juggernauts such as Salvador Dalí, Friedrich Nietzsche, and Dante were also acutely inspired by their own muses. The enigmatic notion of a muse is rooted in Greek mythology, in which nine godly muses traversed the land, stirring the creative spirits of mortal artists and scientists. And according to historian Francine Prose (2002), all muses share one striking and inextricable feature: Muses—both in history and in mythology—are universally female. Yet if “there is no biological reason why a man can’t provide the elements of inspiration” (p. 9, Prose, 2002), how could it be that the elixir of inspiration seems to be primarily concocted by women and predominantly imbibed by men?
Human evolution is puzzling. Around 45,000 years ago, for no obvious reason, our species took off. Our technology rapidly progressed, populations thrived and we started painting and crafting instruments. All of this and more culminated in our first civilizations. From there, we started growing food, building cities, reading and writing. Today, our species is the most dominant on the planet.
What’s odd is that natural selection doesn’t explain this cultural explosion. Our genetic makeup is identical to our ancestors who lived 100,000 years ago. As Matt Ridley explains, “all the ingredients of human success—tool making, big brains, culture, fire, even language—seem to have been in place half a million years before and nothing happened.” What gives?
The answer might have to do with the relationship between creativity and sex. Consider a study (pdf) conducted by evolutionary psychologist Douglas Kenrick, Bob Cialdini and Vlad Griskevicious. In one clever experiment the psychologists asked college students to write a short story about an ambiguous picture. Before the students tested their prose, Kenrick and his partners divided them into two groups. One half was put in a mating mindset by looking at six photos of attractive females, picking which one they most desired as a romantic partner and imaging an ideal date with her. The other half, the control condition, saw photos of a street and wrote about the most pleasant weather conditions for walking around and looking at the buildings.
Kenrick and his team found that students in the mating mindset were more creative with their stories of the ambiguous pictures than the control group. Did the reproductive motivations trigger their creativity? Because the effect only showed itself for the men, the researchers concluded that, “these studies establish that temporary activation of a mating motive can have the same effect on humans as the mating season has on peafowl; in both cases, mating opportunities inspire males to strut their stuff.”
Kenrick was also interested in the relationship between creativity, non-conformity and sexual selection. He wondered if sexual motivations cause males to stand out from the crowd artistically. To find out Kenrick teamed with Chad Mortensen and Noah Goldstein and asked subjects to judge how interesting they found an artistic image. However, before the subjects gave their two cents they listened to the judgments of several other members of the group who tended to agree with each other. Did the subjects conform to the group?
It depended on gender and motivational state. Kenrick and his team created two groups. One was primed with a fearful mindset by recalling tragic murder stories. Subjects in the other group imagined themselves spending a romantic day with the person of their dreams. The different motivational states mattered. Those in the mating mindset tended to go against the group opinion compared to their more fearful peers. Women did not show the same effect suggesting that when it comes to artistic taste, men are motivated to show off by strutting their creativity. (pdf of study)
This helps explains why muses are predominantly women who inspired men. Consider, as Kenrick did, examples throughout history:
Pablo Picasso [is] the most prolific artist in history with an astounding 147,800 works of art… a closer look at Picasso’s generative periods reveals an intriguing constant: Each new epoch blossoms with paintings of a new woman—not a sitter or a model, but a mistress—each of whom is touted to have served Picasso as an incandescent, albeit temporary, muse. Picasso’s artistic history, however, is not unique: Creative juggernauts such as Salvador Dalí, Friedrich Nietzsche, and Dante were also acutely inspired by their own muses. The enigmatic notion of a muse is rooted in Greek mythology, in which nine godly muses traversed the land, stirring the creative spirits of mortal artists and scientists. And according to historian Francine Prose (2002), all muses share one striking and inextricable feature: Muses—both in history and in mythology—are universally female. Yet if “there is no biological reason why a man can’t provide the elements of inspiration” (p. 9, Prose, 2002), how could it be that the elixir of inspiration seems to be primarily concocted by women and predominantly imbibed by men?It appears that the answer has to do with sexual selection. Does this explain how our species went from hunting and gathering to mass-producing iPhones and airplanes? There are many pieces to that puzzle. The relationship between sex and creativity might be one of them. https://bigthink.com/insights-of-genius/is-creativity-sexy-the-evolutionary-advantages-of-artistic-thinking
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Is Divorce Best Viewed As A Problem A Solution Or A Symptom
/in Uncategorized /by developerIs divorce best viewed as a problem, a solution, or a symptom? ( 20 SENTENCES ) PLEASE!!
Is divorce best viewed as a problem, a solution, or a symptom?From my perspective, divorce is all the above. No child (or anyone) should live in a home wherethere’s no love. The worst thing…
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Is Farming In U S Perfectly Competitive
/in Uncategorized /by developerIs Farming in U.S. perfectly competitive?
Is Farming in U.S. perfectly competitive?The US farming almost wholly serves the basic criterion of being a perfect competition. In therealm of farming in USA, there are plenty of buyers and…
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Is Full Cost The Right Metric For Job Probability Of Should Colorscope Only Allo
/in Uncategorized /by developerIs full cost the right metric for job probability of should Colorscope only allocate direct costs to jobs? What assumptions are we making about the variability of overhead costs when we do “full-cost” analysis?
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Is George Orwell S Sarcastic Statement In The Book Animal Farm An Accurate Descr
/in Uncategorized /by developerIs George Orwell’s sarcastic statement in the book Animal Farm an accurate description of what exists in America today: “All animals are equal, but some animals are more equal than others.” Rephrasing it: “All Americans are equal, but some are more equal than others.” Is that what exists in the United States in 2019? If you think it is, then tell me why you think so. What is the status of equality of citizens in America in 2019, based on your readings and you own personal observations?
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Is Given By Where H Is The Distance Separating The Plates And The Origin Is Plac
/in Uncategorized /by developerThe velocity distribution for laminar flow between parallel plates is given by:
u
u
max
=1−(2y
h
)
2
uumax=1−(2yh)2
where h
h is the distance separating the plates and the origin is placed midway between the plates.
Consider a flow of water at 15
∘
15∘ C, with u
max
=1.59
umax=1.59 m/s and h=0.37
h=0.37 mm.
Calculate the shear stress on the upper plate and give its direction. Use Table A.8
is given bywhere h is the distance separating the plates and the origin is placed midway between the platesConsider a flow of water at 150 C, with Umar = 1.59 m/s and h = 0.37 mm.Calculate the shear stress on the upper plate and give its direction. Use Table A.8
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Is Glaucon S Challenge To Socrates Was That People Tend To Be Just Due To Conseq
/in Uncategorized /by developerIs Glaucon’s challenge to Socrates was that “people tend to be just due to consequences”? If not, please help me understand 🙁
Can you explain in detail about the 3 parts of goods? I am really confused about it now.
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Is Health Care A Right Or A Privilege Imagine That It Is Late At Night And You W
/in Uncategorized /by developerIs Health Care a Right or a Privilege?
Imagine that it is late at night and you wake up suddenly, struggling to breathe. You realize immediately that your symptoms are severe—this is not a common cold. Unsure of what to do, you call a loved one who insists on driving you to a hospital emergency room. Assume, for the purposes of this example, that you are a U.S. citizen. While you are registering for emergency services, you notice a sign prominently displayed, declaring that you have the right to medical screening and stabilization in the case of emergency or labor, even if you do not have health insurance. This is a provision of the Emergency Medical Treatment and Active Labor Act (EMTALA), which you explore in more detail in this week’s reading.
You may be surprised to learn that Americans have no legal right to health care, as established through extensive legal precedent. In fact, EMTALA represents the only health care rights guaranteed to Americans.
The United States is one of the only high-income nations that does not guarantee health care as a fundamental right, and it is the only developed nation that has not implemented a system for insuring at least all but the wealthiest segment of its population against healthcare costs. . . . In terms of national constitutions, a 2004 survey reported that some two-thirds of constitutions address health or health care, and that almost all of these do so in universal terms. (Teitelbaum and Wilensky, 2013, p. 108)
However, according to the U.S. Census Bureau (2013), 15% of the U.S. population was uninsured in the years immediately preceding the Patient Protection and Affordable Care Act (PPACA). Therefore, except in specific situations (such as those regulated by EMTALA), 48 million people did not have access to health care. Furthermore, according to the same report, family income was strongly correlated to a family’s access to health care. Whereas 75.1% of families with an annual income less than $25,000 were insured, 92.1% of families earning $75,000 or more per year were insured.
These figures may trouble you from a social perspective, but remember that there are many stakeholders in public health. A patient’s perspective is but one of the many you must consider as a public health professional. In this Discussion, you explore whether health care is a right or a privilege.
Student Tips for Discussions
Academic discussions provide a forum to share insights with your colleagues as you encounter new content. Discussion supports a discovery learning experience that facilitates a deeper understanding of content from multiple viewpoints. To ensure that your contributions to the Discussion posts and responses are timely, relevant, insightful, and engaging, keep the following in mind as you post:
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Is Hydrofracking A Safe Practice
/in Uncategorized /by developerIs Hydrofracking a Safe Practice? 14th Ed. Vega, Taking Sides: Clashing Views in Business Ethics and Society, 14th/ed
After reading the debating issue of Taking Sides Clashing Views, follow Taking Sides Discussion Forum Instructions, distinguish the difference between the two authors, and take a stand with which author’s point of view you tend to agree regarding the following issues 1.What ethical debates are important about hydrofracking? 2. Are the economic benefits of hydrofracking of vital interest and importance to a community that has the resources needed for this industry? 3. How individual, community leaders, and industry officials can be helped by an understanding of ethics in regard to the practice of hydrofracking?
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